Author:

Dr.Ram Krishna Biswas

Assistant Professor of History(W.B.E.S)
Banarhat Kartik Oraon Hindi Government College
Jalpaiguri, West Bengal, India

Email: rkbiswashist12@gmail.com

Abstract: This paper focuses primarily on the Bengal Renaissance, Abbsauddin Ahmed, and the reactions of Muslims through his folk songs. His folk songs significantly influenced the Muslim community by challenging the prevailing dogmas, leading to a strong response from them. He recognized the importance of addressing illiteracy as a fundamental barrier to their progress. In the first half of the 20th century in Cooch Behar, Abbasuddin Ahmed emerged as a pivotal figure in his folk music, attempting to dismantle the traditional orthodox mindset within Muslim society. The esteemed poet Kazi Nazrul Islam greatly impacted his journey toward success. His contributions to the renaissance through folk songs resonated with the masses and were passed down through generations. Through radio broadcasts, he reached the hearts of many. However, his journey was fraught with challenges, as orthodox Muolavis and Muslims were particularly restrictive towards musical instruments at that time. Ultimately, these folk songs gained immense popularity among the Bengali people, especially in northern Bengal and throughout colonial Bengal, including Cooch Behar. The researcher’s primary aim is to explore how he fostered the north Bengal renaissance through his folk songs such as Bhawaiya, Islami Gazal, kaomi songs, and more.

Key Words: Abbasuddin, Bengal Renaissance , Muslims, Moulavi, North Bengal etc.